Hello folks! I’m very excited to tell you about a special performance this Friday (11/3) at 8pm, at California Jazz Conservatory (aka The Jazzschool) in Berkeley. I’ll be bringing my brand new genre-bending septet Wood/Metal/Plastic (with Alisa Rose and Mia Bella D’Augelli on violins, Jessica Ivry on cello, Kasey Knudsen on alto saxophone, Lisa Mezzacappa on bass, Jon Arkin on drums, and myself on trumpet), performing a new book of original music (by me) ranging from chamber music to straightahead jazz to free improvisation.
We’ll be joined by a true treasure of the Bay Area musical scene, the Nathan Clevenger Group, led by my friend the guitarist and composer, and featuring Rachel Condry on bass clarinet, Cory Wright on tenor sax, clarinet & flute, Tim DeCillis on vibraphone and percussion, plus Kasey, Lisa and Jon (who will be doing double duty in both bands). The Group has released two acclaimed albums and notable recent performances include SFMusic Day, the Switchboard Music Festival, and a featured night as part of the Best Coast Composer Series at the SF Center for New Music.
BUT THAT’S NOT ALL! After our individual sets, the two groups will be combining, Voltron-like, to an 11-piece “superband” to perform two brand new compositions which Nathan and I have written specifically for this concert.
Tickets available here! Don’t miss this chance to hear two (really three!) adventurous ensembles for the price of one! And check out a preview video of Wood/Metal/Plastic below.
Hi folks, I’m excited to be teaching two 6-week courses this summer at California Jazz Conservatory in Berkeley (aka The Jazzschool). Here are the details:
Playing the Changes
About the course: A structured and in-depth study of techniques for playing harmonically specific jazz lines that “nail the changes.” Students develop the ability to improvise lines that clearly suggest a tune’s underlying harmonic progression in melodically compelling ways. Emphasis on mastering the II-V-I progression in major and minor, turnarounds, and standard jazz harmony. Lots of playing in class. Students should bring their instrument and manuscript paper to each class session. Prerequisites: knowledge of major and melodic minor scales. Tuesdays 8:15–9:45 pm; 7/11–8/15. You can find out more or register here.
Modern Jazz Improvisation
Ready to take your improvisational toolkit beyond bebop licks, modes, and blues scales and into the sonic worlds opened up by artists like McCoy Tyner, John Coltrane, and Woody Shaw? This course will look into three different approaches for developing melodically compelling ideas for use in a wide variety of harmonic situations. Beginning with the applications of pentatonic scales, the course will progress to the simple technique of combining pairs of major triads (and the six-note scales that result), and finally intervallic pairs, in each case examining their use in major, minor, and sus chords, a variety of dominant chords and ii-V-I progressions, and modal or chromatic contexts. Finally we will explore methods to integrate these new ideas into the student’s existing language in a natural and non-contrived way. (Basic knowledge of jazz harmony required.) Tuesdays 6:30–8 pm; 7/11–8/15. More information and registration here.
Hello folks! It’s been a happily busy musical spring so far (in spite of the daily horrors of the news), and I wanted to let you know about a few upcoming events.
CJC Workshop: Fluency in All 12 Keys
This Sunday (4/9) at 11:30am I’ll be at California Jazz Conservatory/Jazzschool in Berkeley, kicking off the Contemporary Jazz Improvisation Workshop Series, a four-part educational series for musicians featuring different local players exploring a variety of topics. My focus will be “Developing Fluency in All 12 Keys,” and I’ll be looking at several strategies for getting comfortable in the intimidating key signature-hinterlands. Open to anyone with basic knowledge of jazz theory, and also available on a single class-basis. Registration info here.
Asian American Orchestra at SFJAZZ Poetry Festival Sunday (4/9)
Sunday evening at 8pm, I’m excited to be joining Anthony Brown’s Asian American Orchestra and SFJAZZ Poet Laureate Genny Lim at the Joe Henderson Lab as part of the SFJAZZ Poetry Festival. We’ll be performing our updated version of Max Roach’s We Insist: Freedom Now Suite (with new poetry by Lim). Information and tickets available here.
ESO in San Francisco (4/16)
On Easter Sunday evening (4/16) from 6:30-9pm, I’ll be back with the indomitable Electric Squeezebox Orchestra (directed by Erik Jekabson), which has been holding down its residency at Doc’s Lab in North Beach for over two years, performing only original arrangements by members of the band and other local composers (like me!). We’ll be joined by a special quest, the phenomenal clarinetist Ben Goldberg. More info here.
Finally, for no reason other than that it’s good, here’s some video from my performance last month with the Adam Shulman Sextet. Enjoy!
Announcements and thoughts from a Bay Area trumpeter and composer