Tag Archives: Chez Hanny

Ian Carey Quintet+1 at Chez Hanny, SF, 4/24 + Bonus Audio

Hello folks! If you missed our CD release show last week, you have another chance to see this band and hear music from our new CD on Kabocha Records, Interview Music. (The title is sort of an inside joke about the jazz scene. More on that here.)

This Sunday (4/24) at 4pm we are thrilled to be returning to Chez Hanny in San Francisco’s Portola District, an intimate “jazz salon” that has been presenting unique concerts for over a decade.

The band will feature my longtime partners in crime Kasey Knudsen on alto saxophone, Sheldon Brown on bass clarinet and tenor saxophone, Jon Arkin on drums, Fred Randolph on bass, Adam Shulman on piano, and myself on trumpet. We will be playing all the music from the new album (including my four-part title suite) plus new expanded arrangements of music from our previous albums Sink/Swim, Contextualizin’, and Roads & Codes (“★★★★½” —DownBeat).

Chez Hanny (click link for more info) is located at 1300 Silver Avenue, San Francisco. $20 donation is requested. Email reservations are strongly recommended (see previous link) as seating is first come, first served (doors open at 3:30pm). I hope to see you there!

BUT: If you can’t make it and still want to hear Interview Music, the album is now available on CDBaby , Amazon, and iTunes . And you can hear a full track from the suite here:

ALSO: A few weeks ago I was fortunate to be invited to do an interview with Alisa Clancy on our great local jazz station KCSM to talk about the album. You can listen to the interview below.

ALSO ALSO: I’m going to be playing this Saturday afternoon with the great drummer and composer Bryan Bowman and his quintet at a new house concert venue in the East Bay. The show is at 4pm at 1034 Talbot Ave. in Albany, $10 donation requested. Thanks!

Announcements: Quintet+1 at Chez Hanny, Takoyaki 3 at Yoshi’s Lounge + Grant & Review News

Hi folks, I have a bunch of interesting stuff to throw at you at once. First, I’m doing two shows next week with two different bands, both guaranteed to be interesting!

Next Thursday, May 30, Takoyaki 3 (the streamlined, street-food-style version of my Quintet+1) will be returning to the lounge at Yoshi’s in San Francisco as part of their Local Talent Series.  We’ll be doing underplayed jazz classics, originals, and even a standard or two!

WHAT: Ian Carey’s Takoyaki 3
WHO: Ian Carey, trumpet; Adam Shulman, organ; Jon Arkin, drums
WHEN: Thursday, May 30, 6:30-9:30pm
WHERE: Yoshi’s Lounge, San Francisco
HOW MUCH: Free!

A few days later, the Quintet+1 will be making its first appearance since our CD release show, at the intimate San Francisco house concert venue Chez Hanny.  We’ll be performing music from Roads & Codes (“★★★★½ – a highly skilled band of improvisers, harmonically pleasing compositions… it all works” —Downbeat), including compositions by me, Stravinsky, Charles Ives, and Neil Young, as well as new arrangements of music from previous albums and the premiere of a brand new original piece. This will also be the debut with the band of the great Bay Area woodwind wizard Sheldon Brown. Seating is limited, so best reserve early!

WHAT: Ian Carey Quintet+1
WHO: Ian Carey, trumpet; Adam Shulman, piano; Jon Arkin, drums; Kasey Knudsen, alto saxophone; Sheldon Brown, tenor saxophone & flute; Fred Randolph, bass
WHEN: Sunday, June 2, 4pm
WHERE: Chez Hanny, San Francisco
HOW MUCH: $20 suggested donation (see link above for ticketing/reservation info)

In other news, reviews for Roads & Codes are still trickling in, including this very poetic one from Jazz Weekly:

Ian Carey leads a small band in which he plays trumpet, flugelhorn and handles most of the writing with a lithe as cirrus cloud team … The melding of the three horns, especially when Francis is on the flute, create a lovely graciousness  of sound that feels like a breeze teasing linen drapes, as on the mellifluous “Wheels.” A pastel haze floats above the plain on “Rain Tune” while Neil Young’s “Dead Man’ features Carey’s lonely and gasping trumpet.  Some firm and forte bop is displayed on the driving “Count Up” which has some pungent stick work by Arking, while Charles Ives’ “West London” is delivered with a porcelain fragility. Nice and fresh music here that sparkles like morning dew on citrus trees.

Mellifluous indeed! It has been very interesting to see the wide varieties of effects the record has had on people.

Finally, I’m happy to announce that the great local organization San Francisco Friends of Chamber Music has chosen me as one of the fortunate beneficiaries of their 2013 Musical Grant Program. I’ll be writing a new multi-part “Suite for Quintet+1,” to be premiered at the Jazzschool in Berkeley in fall 2014. Time to get crackin’!