Category Archives: Video

Friday 11/3 in Berkeley: Ian Carey & Nathan Clevenger: New Music for Septets

Hello folks! I’m very excited to tell you about a special performance this Friday (11/3) at 8pm, at California Jazz Conservatory (aka The Jazzschool) in Berkeley. I’ll be bringing my brand new genre-bending septet Wood/Metal/Plastic (with Alisa Rose and Mia Bella D’Augelli on violins, Jessica Ivry on cello, Kasey Knudsen on alto saxophone, Lisa Mezzacappa on bass, Jon Arkin on drums, and myself on trumpet), performing a new book of original music (by me) ranging from chamber music to straightahead jazz to free improvisation.

We’ll be joined by a true treasure of the Bay Area musical scene, the Nathan Clevenger Group, led by my friend the guitarist and composer, and featuring Rachel Condry on bass clarinet, Cory Wright on tenor sax, clarinet & flute, Tim DeCillis on vibraphone and percussion, plus Kasey, Lisa and Jon (who will be doing double duty in both bands). The Group has released two acclaimed albums and notable recent performances include SFMusic Day, the Switchboard Music Festival, and a featured night as part of the Best Coast Composer Series at the SF Center for New Music.

BUT THAT’S NOT ALL! After our individual sets, the two groups will be combining, Voltron-like, to an 11-piece “superband” to perform two brand new compositions which Nathan and I have written specifically for this concert.

Tickets available here! Don’t miss this chance to hear two (really three!) adventurous ensembles for the price of one! And check out a preview video of Wood/Metal/Plastic below.

 

Wood/Metal/Plastic Rehearsal Video + KPFA Interview

Hi folks, I’m very excited about our Wood/Metal/Plastic premiere next Friday at The Sound Room in Oakland. The music is really coming together and I’m looking forward to getting it off the page and into your ears! (Tickets here!)

Last night I had the chance to visit the great local DJ and music writer Larry Kelp’s “Sing Out” show on KPFA to talk about the project and share some rehearsal audio. You can listen to the show here (for two weeks I believe).

And here’s some footage from our recent rehearsal with snippets of several tunes. It’s a little rough around the edges as we were still working on the music, but should give you a taste of what kinds of things we’ll be up to at the show. Hope to see you there!

Starting 7/11: “Playing the Changes” & “Modern Jazz Improvisation” at CJC

Hi folks, I’m excited to be teaching two 6-week courses this summer at California Jazz Conservatory in Berkeley (aka The Jazzschool). Here are the details:

Playing the Changes

About the course: A structured and in-depth study of techniques for playing harmonically specific jazz lines that “nail the changes.” Students develop the ability to improvise lines that clearly suggest a tune’s underlying harmonic progression in melodically compelling ways. Emphasis on mastering the II-V-I progression in major and minor, turnarounds, and standard jazz harmony. Lots of playing in class. Students should bring their instrument and manuscript paper to each class session. Prerequisites: knowledge of major and melodic minor scales. Tuesdays 8:15–9:45 pm; 7/11–8/15. You can find out more or register here.

Modern Jazz Improvisation

Ready to take your improvisational toolkit beyond bebop licks, modes, and blues scales and into the sonic worlds opened up by artists like McCoy Tyner, John Coltrane, and Woody Shaw? This course will look into three different approaches for developing melodically compelling ideas for use in a wide variety of harmonic situations. Beginning with the applications of pentatonic scales, the course will progress to the simple technique of combining pairs of major triads (and the six-note scales that result), and finally intervallic pairs, in each case examining their use in major, minor, and sus chords, a variety of dominant chords and ii-V-I progressions, and modal or chromatic contexts. Finally we will explore methods to integrate these new ideas into the student’s existing language in a natural and non-contrived way. (Basic knowledge of jazz harmony required.) Tuesdays 6:30–8 pm; 7/11–8/15. More information and registration here.

April Update: CJC Workshop, Asian-American Orch. at SFJAZZ, ESO

Hello folks! It’s been a happily busy musical spring so far (in spite of the daily horrors of the news), and I wanted to let you know about a few upcoming events.

CJC Workshop: Fluency in All 12 Keys

This Sunday (4/9) at 11:30am I’ll be at California Jazz Conservatory/Jazzschool in Berkeley, kicking off the Contemporary Jazz Improvisation Workshop Series, a four-part educational series for musicians featuring different local players exploring a variety of topics. My focus will be “Developing Fluency in All 12 Keys,” and I’ll be looking at several strategies  for getting comfortable in the intimidating key signature-hinterlands. Open to anyone with basic knowledge of jazz theory, and also available on a single class-basis. Registration info here.

Asian American Orchestra at SFJAZZ Poetry Festival Sunday (4/9)

Sunday evening at 8pm, I’m excited to be joining Anthony Brown’s Asian American Orchestra and SFJAZZ Poet Laureate Genny Lim at the Joe Henderson Lab as part of the SFJAZZ Poetry Festival. We’ll be performing our updated version of Max Roach’s We Insist: Freedom Now Suite (with new poetry by Lim). Information and tickets available here.

ESO in San Francisco (4/16)

On Easter Sunday evening (4/16) from 6:30-9pm, I’ll be back with the indomitable Electric Squeezebox Orchestra (directed by Erik Jekabson), which has been holding down its residency at Doc’s Lab in North Beach for over two years, performing only original arrangements by members of the band and other local composers (like me!). We’ll be joined by a special quest, the phenomenal clarinetist Ben Goldberg. More info here.

Finally, for no reason other than that it’s good, here’s some video from my performance last month with the Adam Shulman Sextet. Enjoy!

Workshop Feb 18 in Berkeley: Triad Pair Scale Improvisation

Hi folks, I’m going to be offering a workshop on February 18 (at 11:30am) at California Jazz Conservatory in Berkeley on triad-pair-based scales and how to use them. (That sounds more complex than it really is, but these scales have become a big part of my own language.)

Here’s a short video with a little preview:

The workshop is open to anyone with basic knowledge of jazz harmony and you should definitely bring your instrument. You can find out more about the class and register here.

GIGS: Ian Carey Quintet+1 at SFCMC, February 17

Well: it’s been a rough start to the year for pretty much everyone, and I would be lying if I said there weren’t times that music seemed like a minor and self-centered pursuit. But that’s exactly why it’s been a welcome break to let myself get very excited about a show coming up this month.

It will be my first gig as a leader working with the great local organization Jazz in the Neighborhood, which was founded by trumpet legend Mario Guarneri and  has been producing a wide variety of shows featuring Bay Area artists for several years (I’ve been fortunate to be on several as a sideman including with the Electric Squeezebox Orchestra and various guests). JITN’s M.O. includes guaranteed wages for the musicians (a lifesaver and unfortunately a rarity these days) and features emerging artists for portions of each performance; they’re doing it right and I sincerely hope they will be around to enrich the community of artists and listeners for a long time.

This will also be my first performance at Community Music Center, and my first San Francisco show as a solo leader in quite a while (although S.F. is in the Quintet+1’s DNA—we got our start at The House of Shields, after all). I’m thrilled to have the band together again, this time with two special guests. First is the amazing Hamir Atwal on drums—I’ve been lucky to have quite a few opportunities to play with Hamir over the past year or so, and every one of them has been an adventure. We’ll also be joined for the first time by amazing multi-reedist and recent local repatriate Steven Lugerner, who will be filling in the Sheldon Brown chair on bass clarinet and baritone sax (!). The group will be rounded out by the outstanding usual suspects Kasey Knudsen on alto saxophone, Adam Shulman on piano, Fred Randolph on bass and me on trumpet.

The show will begin with an opening set featuring two excellent local student players (backed by Fred, Adam, and Hamir), and then we’ll be performing selections from our past three albums, including works from Interview Music (2016), Roads & Codes (2013), and Contextualizin’ (2010), some of which have never been performed in Quintet+1 format before! Here are the details:

WHAT: The Ian Carey Quintet+1
WHEN: Friday, February 17, 8pm
WHERE: Community Music Center, 544 Capp Street, San Francisco
TICKETS: Available here

Finally, for no reason at all, here’s a video of me playing Coltrane’s “Giant Steps”—I recorded this to help demonstrate my qualifications for teaching a class about that gnarly tune last month. I’m also offering a workshop on improvising with triad pairs (a very fun and interesting way of dealing with a variety of chord changes) on  February 18, check it out!

September Update: Nathan Clevenger Group, Ian Carey Quintet+1 at SFMusic Day, ESO

Hello folks! Here’s an update about some upcoming performances I’m really excited about. Hope to see you at some of them!

Nathan Clevenger Group in Oakland
This Thursday night (9/1) in Oakland, I’m thrilled to be playing again with one of my favorite bands—the Nathan Clevenger Group (“includes many of the scene’s leading figures, but he’s created a sound that stands out from the crowd… he makes brilliant use of the many colors at his disposal.” –Andrew Gilbert, KQED). In addition to Nathan’s guitar and compositions, this version of the group includes Kasey Knudsen on alto sax, Rachel Condry on bass clarinet, Jason Levis on drums, Lisa Mezzacappa on bass, Tim DeCillis on vibraphone, and myself on trumpet. The show is at Octopus Literary Salon in downtown Oakland, a cozy cafe that’s been putting on some extraordinarily happening shows. (The show starts at 8, and the opening act is Bristle, another astounding chamber music-meets-free improvisation unit.) More info about the show here.

Ian Carey Quintet+1 at SFMusic Day
For the past few years, the great local arts organization San Francisco Friends of Chamber Music has been presenting an annual day full of free chamber music at the SF Veterans Building, and this year, on Sunday, September 25, I’m very happy to bringing my Quintet+1 to participate (along with a cast of hundreds including heavy hitters like Kronos, Rova, Myra Melford & Ben Goldberg, and many more). We’ll be playing a half-hour set at 3:30 in the Education Studio. More info here.

Electric Squeezebox Orchestra Meets Brazil!
I’m also excited to be playing several times this month with the Electric Squeezebox Orchestra, SF’s great original big band, back at Doc’s Lab in North Beach after their summer break. Sunday, September 4, I’ll be performing with the band, playing their usual (but unusual!) assortment of music all written by members of the band (including me!). The following Sunday, Sept. 11, we’ll be joined by special guest the Brazilian saxophonist Spok (aka Inaldo Cavalcante de Albuquerque), performing the music called Frevo, which he has pioneered in Northern Brazil. More about this show here.

Also…
A reminder that my new album, Interview Music (“an incredible piece of music… a superlative work.” —Brad Stone, The Creative Source, Soul and Jazz Radio), is now available on CDBaby, Amazon, and iTunes.

And just because, here’s a video of an improvised duet that my friend the great trumpeter Darren Johnston and I recorded before a gig last month at opposite ends of the huge Festival Pavilion building at Fort Mason (with its 8-second reverberation). Enjoy!

Improvised Duet, Darren Johnston & Ian Carey, trumpets. Festival Pavilion, Ft. Mason, San Francisco, August 21, 2016.

June News: Have You Heard, AAO Plays Roach, Jazzschool Classes

Hello folks! I’m just writing to tell you about a few musical things I’ve got going on in the near future.

Have You Heard?

This Monday night I am very happy to be featured on one of my favorite radio shows, Have You Heard?, hosted by the great saxophonist Patrick Wolff. Each week Patrick does a deep dive on the work of a single artist (usually someone on the less well-known side) in a way rarely heard on this coast. For this show we’ll be hearing tunes from several of my albums (plus an unreleased track of a work for big band) as well as having some conversation about the jazz world in my usual curmudgeonly fashion. You can hear the show Monday at 9pmon KCSM; the show will be also be available for one week after at the Have You Heard? website.

Jazzschool Classes

I’m happy to be offering three classes this summer as part of California Jazz Conservatory’s Jazzschool summer session, geared toward intermediate musicians of all ages:

  • Demystifying Coltrane Changes: A deep look into how to take the fear out of learning daunting tunes like Giant Steps and Countdown, including theory, listening and in-class playing. More info here.
  • Counterpoint & Beyond: An introduction to one of my favorite compositional toolboxes, with an eye toward real-world contemporary and jazz applications. More info here.
  • Modernize Your Language: A look at three ways to take the next step beyond bebop and mode-based improvising, with an eye on integrating with the student’s existing language, through theoretical discussion and in-class playing. More here.

If you or someone you know might be interested, please check out the links above to find out more and register. Class space is limited! (And a reminder: I’m also accepting new private students in trumpet, improvisation, composition, ear training and harmony.)

Asian-American Orchestra Performances

This weekend and next, I’ll be making my debut with percussionist & composerAnthony Brown’s Asian-American Orchestra. The group consists of an eclectic (in a good way!) mix of western and eastern instruments including shakuhachi and sheng (Chinese mouth organ) as well as a burning jazz ensemble. For these performances we’ll be joined by the Ojalá Batá percussion ensemble, plus poet Genny Lim and vocalist Amikaelya Proudfoot Gaston. We’ll be performing original works by Brown as well as a new realization of Max Roach’s classic Freedom Now Suite (you all know I don’t do plain old tributes).

We’ll be doing two performances this Sunday June 5 at the San Francisco International Arts Festival at Fort Mason, followed by a show on Saturday June 18 at Musically Minded Academy in Oakland. Hope to see you!

Also…

I’m happy to announce that I am among the lucky crop of grant recipients for San Francisco Friends of Chamber Music’s 2016 Musical Grant Program, to compose a set of pieces for my brand new 7-piece ensemble Wood/Metal/Plastic, premiering next year. And just a reminder that my new album Interview Music (“complex chamber music with solo space” – Doug Ramsey, Rifftides) is now available on CDBaby, Amazon, and iTunes. You can hear a free track from the album below. Thanks!

New Reviews for Interview Music + Bonus Track

Interview Music, the new album from my Quintet+1, is officially out there, and some very gratifying reviews have been coming in.

First, from Doug Ramsey at the great music blog Rifftides:

In the articulate liner notes for his fifth album, Carey explains that he writes music not to label it “about something” in order to snag foundation grants, but to employ what he’s learned and make it work for him and his players. Interview Music does that. Even better, it works for the listener. … His sextet plays the five-part suite with drive, wit, swing and a palpable unity of purpose. It is complex chamber music with solo space for Carey, long an impressive trumpeter; bass clarinetist Sheldon Brown; alto saxophonist Kasey Knudsen; pianist Adam Shulman; bassist Fred Randolph; and drummer Jon Arkin. They are among the cream of the Bay Area’s jazz community. In a victory for his creative policy, the San Francisco Friends of Chamber Music supported Interview Music with a grant despite its not being “about something,” which, of course, it is. It’s about music.

From The Jazz Page:

[Carey] has returned with an ambitious new recording that succeeds in its effort. Interview Music is a fantastic suite that sees some of Carey’s most adventurous writing matched with truly outstanding performances. … While the production is one of some range, it is accessible, even as weaves and winds its way forward. … Carey’s writing affords each of his fellow players many moments to exhibit their depth of talent, and in the process, allows the entire project to shine.

And a listener left this very thoughtful review on the album’s iTunes page:

Very inspiring to hear this kind of sophisticated composition and playing coming out of the Bay Area. As an ex professional trumpet player who grew up in Bay Area and studied and played in NYC, this is really the first time I’ve encountered such a high degree of post-bop compositional creativity and craft come out of the Bay Area with the exception of Joe Henderson of course. Also very fine playing all-around, with a special shout out to Ian who is obviously a really accomplished trumpeter and improviser.

The album also got mentions from Marc Myers’ Jazzwax (“this abstract original suite for quintet led by trumpeter Carey has classical overtones”) and Tom Hull (“a sprawling suite with four parts and an interlude, a fine example of postbop composition and arrangement”). It’s great to know people are giving it a listen, 15-minute tracks and all!

Finally, here’s another sample track from the album, the interlude and first half of the fourth movement. If you’d like to hear more, please pick up a copy for yourself!

Ian Carey Quintet+1 at Chez Hanny, SF, 4/24 + Bonus Audio

Hello folks! If you missed our CD release show last week, you have another chance to see this band and hear music from our new CD on Kabocha Records, Interview Music. (The title is sort of an inside joke about the jazz scene. More on that here.)

This Sunday (4/24) at 4pm we are thrilled to be returning to Chez Hanny in San Francisco’s Portola District, an intimate “jazz salon” that has been presenting unique concerts for over a decade.

The band will feature my longtime partners in crime Kasey Knudsen on alto saxophone, Sheldon Brown on bass clarinet and tenor saxophone, Jon Arkin on drums, Fred Randolph on bass, Adam Shulman on piano, and myself on trumpet. We will be playing all the music from the new album (including my four-part title suite) plus new expanded arrangements of music from our previous albums Sink/Swim, Contextualizin’, and Roads & Codes (“★★★★½” —DownBeat).

Chez Hanny (click link for more info) is located at 1300 Silver Avenue, San Francisco. $20 donation is requested. Email reservations are strongly recommended (see previous link) as seating is first come, first served (doors open at 3:30pm). I hope to see you there!

BUT: If you can’t make it and still want to hear Interview Music, the album is now available on CDBaby , Amazon, and iTunes . And you can hear a full track from the suite here:

ALSO: A few weeks ago I was fortunate to be invited to do an interview with Alisa Clancy on our great local jazz station KCSM to talk about the album. You can listen to the interview below.

ALSO ALSO: I’m going to be playing this Saturday afternoon with the great drummer and composer Bryan Bowman and his quintet at a new house concert venue in the East Bay. The show is at 4pm at 1034 Talbot Ave. in Albany, $10 donation requested. Thanks!